Відео

what u can say about adam a4v ? what cons they have for purpose of mixing ?

Most excellent!

This is not full systemwide replacement. By the way, Equalizer APO and REW are free too.

I checked recently to see if "Pros' were getting on with 11. I asked those of my Windows using colleagues who had updated to 11 whether things had improved and they reported that they had gone back to 10 because of instabilities with their music software systems on 11. I shall continue to hold off until it is no longer possible to run Win10. If things with Win11 haven't stabilised by then then I'll be looking to a different platform. Microsoft, please don't force me to go to Apple ... I DON'T WANNA !!! 😭

What's the best speaker right now for near field?

Im confused regardinf the "Line out" vs "Headphone out" comments. I dont understand it. For example, if I have an RME babyface pro interface, surely i have to use the headphone out port, right? Is it only for certain interfaces?. I know i can connect a pair of LCDxs XLR to the back of the babyface but then i wont be able to use monitors. Any input would be so much appreciated as im just not getting it.

i am thinking of buying a blade strat style i paly shadows stuff will it have a fender type sound

I’ve never played a baritone before but I think you have just sold me on the idea.

Do you think the Motu M2 will be enough to power them?

I collected firewire to from my computer and my 24.4.2. all it said was Id card not found. What is it talking about

At 1:18 , how thick does that panel need to be? And how far away should you put the speaker from that panel? Treat it like the wall and leave a few inches away from it?

Can you duplicate / copy / paste pads with the hardware ?

This was the most amazing video I've watched this year man !! For EQing Headphone though, Do u use Linear Phase? or Mixed (Natural Phase)? or No latency?

I literally cant get rix of background noises

Between the E3 vs MM-500 which gives more detail and sound stage?

I think this could be used with thin body 12 string to make it sound like a guild.

Great video. You got the pedal sounding it’s best.

Would you recommend this headset for vocals? For recording amateur vocals at home on a zoom R20? And, is there any Wireless receivers and transmitters that you could recommend for this headset? Thank you for the video it does sound good.

Can those inputs be used for instruments? in turn to allow someone to do a live stream of a live band onto a social media platform

Why not Audeze LCD-XC for closed back comparison/alternative? That is designed for mixing and is cheaper than E3. I love my LCDX (new 2021+)and for me it would be out of the XC and E3 for a closed back

I have a Lewitt mic, they are the real deal. Clean, Crisp and Quiet. I want buy any other brand now.

I have a different smartphone

Sorry, I don't speak English and I understood little from the video even with the subtitles. Can I ask you (as an aid for mixing and mastering) what is better between Ollo Sx5 and HifiMan Edition XS? Imaging, soundstage, accuracy of bass, middle and trebble? I would listen with a focusrite 2i2. Thanks and sorry for the trouble.

MacBook Max M3 48GB Headshones through a USB dock (internal sound as away from home) = 186 tracks at 128 Buffer. Not sure how much difference internal card and dock would make but will test again in house. So tried with scarlet 2i4 and an additional 10 track. 196 @ 128 buffer. Scrolling, opening menus within cubase all fine.

I'd love to hear your take on the Stealth vs E3 please. I have the E3, love it, but I also heard the Stealth, and arguably fell in love more with the Stealth sound. Seemed to be the absolute best listening experience of my life. The Stealth : pure naturalness, lots of insights into details that somehow seem hidden on other headphones, like... A quite unique, ultra fine granularity somehow, & not the result of a tuning choice, more like shear speed and precision ; tuning, ultra neutral and breathtaking ; *I prefered the Stealth's bass over the E3's bass*, as I feel like it's a bit less prominent, but more truthfull and detailed, nuanced & deep, all by-products of the lower distortion of the Stealth's bass I believe... The E3 : in comparison, I find the bass a tad too much (feels boosted, unlike on the Stealth), and a bit less fast & defined (monochromic) , and sometimes, I find the high mids and trebles a bit agressive. But it's by far the best headphones I've used in my studio-life. I don't listen to my monitors much anymore, I prefer the E3 (and they are PSI A21M... So that says something). Until now I was rocking DT770 so the jump in quality is drastic. I still love the DT770 though, for they are really really well tuned and I can mix on them with good translation. To me : Stealth = ATC/Genelec ; E3 = KRK/Dynaudio ? It's the bass that's way different in my opinion. I wonder what you think, empirically about these two. And would it make sense to have both the E3 and the Stealth ? One for production (E3), one for mix & master (Stealth) ? Cheers mate (btw I had reached you via the website and the sale team, and you answered me months ago about my question regarding the E3, saying upfront the E3 was the best production headphones, and you sealed the deal really, because IMO you're the best headphone reviewer on UA-cam, so thank you ! You were *so* right !) xxxxx

wow ...at 13:50 i thought thank you for the honesty and information...i don't need to try out the mv7 ....at 15:50 i thought thank you again...i'm sold on trying the mv7 out ....very good review...exactly the information i was looking for...(only infos i'm missing is how it sounds with xlr output+rk345 and how well it takes eq because i'm more interested in the mv7x) ...subscribed!

I have this without the pickguard. I added locking tuners and also replaced the nut and saddle with high quality bone and had a very good luthier do all the work. It's been a solid guitar and plays very well.

Gooot Ya

I compared them with my dca steath several months ago. I think it is almost the perfect headphone. It has a closed back design but the sound leakage is noticeable higher than normal traditional designs since it has two hole for releasing bass pressure purpose.

I currently use an LCD-4z and i'm interested in the technology and comments i've seen in relation to the DCA Expanse. Have you heard this model by any chance?

Win 10 i7-2700K @ 4.10 GHz 16 GB ram RME Babyface Pro FS audio interface Cubase pro 10.5.30 10 tracks @ 48 samples 24 tracks @ 512 samples

2k5 euros...it hurts lol

please give us your insight on the ndh30 and the Sennheiser 490 pro

Hi! Love your Channel. What would you think of the Dan Clark Aeon 2 Noire paired with a Fiio Q7 DAC Amp? Thanks for your thoughts.

Great review! About the cross feed feature on the headphone amp - is there any practical different between using an amp with that built in vs using a plugin (eg Goodhertz Canopener)? Also how good are they at blocking outside sounds? Not expecting anything anywhere near ANC levels but are they considerably better than say the LCD-X?

Just got myself a Topping A30 Pro. Just saying up for the Headphones ahahaha

This is cool

It's the best closed-back ever for sure.. It's amazing really what DCA did here ! Lyric 2 or Z1R are ridiculous compared to E3.

K and T are plosives as well ;)

Oooh interesting

Great video. Thank you very much.

Nice piece of kit.

Needs a comparison with Heddphone Two!

It only boost or can also cut?

Mini PC: (712€) Geekom IT 13, I9 13900H 32GB DDR4 RAM Windows 11 Wifi ON Taskmanger Open Focusrite Scarlett 8i6 Gen 3 Cubase Pro 13 Asio Guard: High Optimized for Audio in Cubase Buffer Size: 32 57 Copys Buffer Size: 128 61 Copys Buffer Size: 512 71 Copys

The Harmann curve represents the response of FLAT speakers in a room. The bass increase is caused by frequencies bouncing of the walls. This happens to be the response most people prefer too.

Great review, you've definitely made my wallet sweat

Guess I'm too late for the comp

Hi Thanks for your helpful reviews! After many months of M32 usage, I have to complain about the touch strips. In my opinion, they are very poor in quality. Firstly, I often unintentionally touch them with my left hand, especially the ModWheel, which frequently controls the dynamics of sample libraries. I don't know why, but the touch sometimes causes a reset of the strip, resulting in the overall volume (dynamic) being reset. I only realize this after minutes of wondering why the library is suddenly silent. So, in my opinion, the major flaw of this keyboard is the presence of these useless touch strips and also unnecessary keys. As an orchestral music composer, I would instead appreciate two real hardware sliders on the left of the keyboard as a replacement for the touch strips, along with fewer useless buttons and rotary knobs. That's just my opinion. The M32 with sliders would be a great keyboard. Another minor issue is the position of the USB connector: in that position, the keyboard takes up a lot of space on a small desktop. It's a pity. Nothing personal, but for me, Native Instruments fails in both hardware devices and sample libraries. Giorgio

EXCELLENT DEMONSTRATION. I had the misfortune of watching another (supposed) demonstration that turned out to be all about the demonstrator and hardly anything about the mike. Meanwhile, you have confirmed my main thesis regarding the MV7: If you add the RK345B and manually set the audio characteristics using the included software, one can create a nearly identical output to the SM7B. Which only makes logical sense, as what would be the point of creating software if it didn't encompass the audio spectrum which is characteristic of Shure microphones? But to hear it and see the settings in action was truly satisfying. Thanks to you, my hesitancy towards purchasing the MV7 has been resolved. THANK YOU SOOOO MUCH. 👍👍👍